2010 BA English Columbia University
2016 After the Feast, Transmitter Gallery, Brooklyn, NY, curated by Jen Hitchings
2016 Re-Code, CAFA International Gallery, Beijing, China, curated by Naiyi Wang and Wenjie Sun
2017 various existential angsts, NARS Foundation, Brooklyn, NY, curated by Eriola Pira
2016 Feed Me, Associated Gallery, Brooklyn, NY, curated by Jennifer Hitchings, Theresa Daddezio, Julian Jimarez Howard
2015 Menu for Mars Kitchen, The Boiler | Pierogi Gallery, Brooklyn, NY, curated by Douglas Paulson and Heidi Neilson
2015 Amplitude [Live], Pioneer Works, Brooklyn, NY, curated by Wave Farm
2015 Counterfeiting for Cash, Flux Factory, Queens, NY, curated by Douglas Paulson
2014 Interphase, Sorry Archive, Select Fair, Miami, FL, curated by Claire Mirocha, Joie Estrella, Vanessa Thill
2018 ISCP, Brooklyn, NY
2017 NARS Foundation, Brooklyn, NY
2015 Flux Factory, Queens, NY
2016 Digital collection commission, Electric Objects, digital PNG file, 1080 × 1920 pixels, Electric Objects Art Club
2015 On/offline commission, AH Arts, CCTV feed and sculpture, d.v., curated by Ashley Martin, Alixandra Hornyan
2013 Performance, sound design [collaboration: Rodrigo Toscano], Epic Now, The Poetry Project at St. Mark’s Church, New York
Cassidy Dawn Graves, “Nacho Average Opening,” Review, Bedford+Bowery, Online, August 2, 2016.
Editorial Team, “Deep Cuts, Episode 10,” Article, The Meural Sketchbook, Online, July 19, 2016.
Alakananda Mookerjee, “Supper Club on Mars,” Article, The Atlantic, Online, August 24, 2015.
Katherine Brooks, “The Best Kind Of Supper Club Wonders What We’ll Eat On Mars,” Article, Huffington Post, Online, July 23, 2015.
Amy Lin, “Pierogi Gallery Introduces: The Menu for Mars Kitchen,” Article, Widewalls, Online, May 29, 2015.
Nicole Reber, “On the work of Josh Liebowitz,” Article, Packet BiWeekly, Print & online, April 8, 2015.
Paddy Johnson, Corinna Kirsch, “This Week’s Must-see Art Events: Counterfeiting for Cash,” Article, ArtFCity, Online, February 24, 2015.
Afton Wilky, “Double Interview: Angela Rawlings and Joshua Liebowitz,” Interview, Jacket 2 Journal, Online conference call, November 19, 2013.
“Musical Drift: Toward a Method of Sonopoetics,” The Volta, May 2013, Evening Will Come.
“finite until: Toward a Self-Organized, Highly Flammable Syntax,” Fordham University’s Bruce Andrews: A Symposium & Reading, December 2012,
Talk: Flux Factory, “An Evening of Fakes, and a Real Closing Reception,” 2015, Queens, NY.
Participation: Critical Practices Inc., “LaTableRonde,” On Public Space and the Commons, On Balancing Connections, First Street Green park;
On Authenticity, 21st St. 2014, New York, NY.